In 2002, a novel thought to be the first written by an African-American woman became a best-seller, praised for its dramatic depiction of Southern life in the mid-1850s through the observant eyes of a refined and literate house servant.
But one part of the story remained a tantalizing secret: the author’s identity.
That literary mystery may have been solved by Winthrop University professor Gregg Hecimovich. who said this week that after years of research, he has discovered the novelist’s name: Hannah Bond, a slave on a North Carolina plantation owned by John Hill Wheeler, is the actual writer of “The Bondwoman’s Narrative,” the book signed by Hannah Crafts.
Beyond simply identifying the author, the professor’s research offers insight into one of the central mysteries of the novel, believed to be semi-autobiographical: How a house slave with limited access to education and books was heavily influenced by the great literature of her time, like “Bleak House” and “Jane Eyre,” and how she managed to pull off a daring escape from servitude disguised as a man.
Hecimovich, chairman of Winthrop’s English department, has uncovered previously unknown details about Bond’s life that have shed light on how the novel was possibly written.
The heavy influences of Dickens, for instance, particularly from “Bleak House,” can be explained by Bond’s onetime servitude on a plantation that routinely kept boarders from a nearby girls’ school; the curriculum there required the girls to recite passages of “Bleak House” from memory. Bond, secretly forming her own novel, could have listened while they studied, or spirited away a copy to read.
The research also shows that Bond may have been given a man’s suit by a member of the Wheeler family who was sympathetic to her desire to flee.
A revolutionary discovery
Hecimovich, 44, of Charlotte, said that he has verified the writer’s identity through wills, diaries, handwritten almanacs and public records. He intends to publish his full findings in a book, tentatively titled “The Life and Times of Hannah Crafts.”
His work has been reviewed by several scholars who vouch for its authenticity, including Henry Louis Gates Jr., one of the nation’s pre-eminent scholars of African-American history and a former Duke University professor. Gates bought the obscure manuscript at auction in 2001.
“Words cannot express how meaningful this is to African-American literary studies,” he said in an interview. “It revolutionizes our understanding of the canon of black women’s literature.”
Gates said that Hecimovich’s discovery answers one of the large and lingering questions that has vexed him for more than a decade about the author of the book.
Hollis Robbins, the chairwoman of the department of humanities at Johns Hopkins University, called it a “tremendous” finding. “I’m totally convinced,” she said, “to the extent that anything historical can be documented without an iPhone picture of her writing the novel.”
Novel mirrors life of writer
The book, whose language borrows from 19th-century Gothic novels, traces the story of its narrator, who endures life as a slave on a North Carolina plantation and, aided by her light complexion, successfully escapes to the North.
That tale closely mirrors the story of Bond. Enslaved on a plantation in Murfreesboro, Bond is believed to have been a self-educated woman who worked as a maid to the mistress of the house, Ellen Wheeler, assisting her with errands and personal duties like styling her hair.
But around 1857, Bond disguised herself as a boy and escaped, fleeing first to upstate New York and then to New Jersey, where she eventually married and found work as a schoolteacher.
The novel, Hecimovich believes, had its beginnings in the Wheeler home, where Bond could have had access to the family’s library and its writing materials, including a distinctive paper that was used to connect the novel to the Wheelers.
Scholars later discovered that the author borrowed passages from an array of published texts, including “Jane Eyre,” by Charlotte Brontë, and “Rob Roy,” by Walter Scott. The borrowings suggested that Bond had access to the library belonging to Wheeler, who was known to have an affection for literature.
Manuscript stored in attic
After the novel was written, its manuscript was stored in an attic in New Jersey and was little noticed until Dorothy Porter Wesley, an African-American librarian, bought it from a New York City bookseller in 1948 for $85.
In 2001, Gates came across the manuscript in an antiquarian catalog, which described it as a “301-page handwritten manuscript purportedly written by a female fugitive slave.” Fascinated by the discovery, he acquired it at auction with a winning bid of $8,500.
After the manuscript was authenticated, major book publishers took notice, and a 336-page book was released in 2002 by Warner Books, now Grand Central Publishing.
But historians still assumed, for various reasons, that Hannah Crafts was a pseudonym. Without an author, some scholars had remained skeptical that the book was written by a black woman.
“I think there was some suspended judgment because we didn’t have a traceable historical person,” said William Andrews, a professor of English at UNC Chapel Hill.
“We had leads. We had all sorts of interesting inferences. But we couldn’t talk about the book with any confidence of authorial intention if we didn’t know who the author was.
“I was always waiting for someone to show me, and he has.”
Digging through archives
Hecimovich, though his academic background is in Victorian literature, was intrigued by the manuscript and its author. In 2003 he set out on what became an obsessive quest to identify her, digging through archives to find relatives of the Wheeler family, conducting interviews, studying documents and working past dozens of dead ends.
The road to Hannah Bond, he said, was definitely not a straight line. But eventually he found her name in court and property records.
Through interviews and archival research, Hecimovich discovered that she had escaped from the Wheeler plantation and taken shelter with a family named Crafts in upstate New York, a possible reference to the pseudonym adopted for the book.
Yet important clues about Bond’s life have not been found.
In one scene in the book, Ellen Wheeler dictates a letter to her maid. While it could be a wholly invented scene, Hecimovich said that it could easily indicate that the real Ellen Wheeler did the same with Bond. He has searched for a letter matching that description, in the hope that the letter’s handwriting would match that of the manuscript and provide even more proof that Bond the slave and the “Bondwoman” author were one and the same. But so far he has been unsuccessful.
“If it exists, I’m going to find it,” Hecimovich said. “It would be unbelievable.”