Entertainment

The Avett Brothers musical sees stars, surprises, strong reviews on Broadway opening night

The Avett Brothers may be Broadway babies, but they got treated like Broadway royalty when their decade-in-the-making musical “Swept Away” officially opened Tuesday night in the heart of Times Square.

The show deploys music from across the Concord folk-rock band’s catalog to tell the story of a 19th century shipwreck and its harrowing aftermath. “Swept Away” focuses on the terrible choice facing the four survivors adrift without food or water, how they handle the consequences of a desperate decision and whether redemption is possible under such circumstances.

The musical began preview performances on Broadway Oct. 29 at the Longacre Theatre following well-received regional productions in Berkeley, California, and Washington, D.C.

The Avett Brothers made a surprise appearance at curtain call on opening night for their Broadway show, “Swept Away,” on Nov. 19. They led a reprise of the title song.
The Avett Brothers made a surprise appearance at curtain call on opening night for their Broadway show, “Swept Away,” on Nov. 19. They led a reprise of the title song. Nina Westervelt Swept Away

Tuesday night was a star-studded affair, with bold-type names like fashionista Anna Wintour, music impresario Clive Davis and actors Alexander Skarsgård, Brooke Shields, Lea Michele, Billy Porter, Lena Headey from “Game of Thrones” and Amanda Seyfried, among those in attendance.

Actress Brooke Shields was among the celebrities in attendance for opening night of The Avett Brothers musical “Swept Away” on Broadway.
Actress Brooke Shields was among the celebrities in attendance for opening night of The Avett Brothers musical “Swept Away” on Broadway. Alyssa Greenberg Swept Away

Look a little closer and you’d see other familiar faces, like character actor Stephen Root. Or Richard Schiff, who played Toby Ziegler on ”The West Wing,” wearing a knit hat in the mezzanine.

Celebs also mingled with other invited guests at the after-party in a swanky New York event space called Cipriani 25 Broadway.

“Swept Away” lead actors Wayne Duvall, (”Captain”), Stark Sands, (”Big Brother”), John Gallagher Jr., (”Mate”) and Adrian Blake Enscoe, (Little Brother”) at curtain call on opening night Nov. 19, 2024, at the Longacre Theatre.
“Swept Away” lead actors Wayne Duvall, (”Captain”), Stark Sands, (”Big Brother”), John Gallagher Jr., (”Mate”) and Adrian Blake Enscoe, (Little Brother”) at curtain call on opening night Nov. 19, 2024, at the Longacre Theatre. Alyssa Greenberg Swept Away

‘Swept Away’ producer a Charlotte native

At the show’s riveting end, after the bows for the ensemble and lead actors Wayne Duvall (“Captain”), Adrian Blake Enscoe, (“Little Brother”), John Gallagher Jr. (“Mate”) and Stark Sands (“Big Brother”), director Michael Mayer took to the stage. He praised a number of people on the creative team, a Broadway tradition, including book writer John Logan, scenic designer Rachel Hauck and the lead producers, including Matthew Masten and Sean Hudock.

Masten is a Myers Park grad and Charlotte native. And he first had the idea that The Avett Brothers’ 2004 album “Mignonette,” itself inspired by a real-life notorious shipwreck and its aftermath, could form the basis for a nontraditional musical.

The “Swept Away” creative team at a 2018 brainstorming session in a Brooklyn. N.Y., restaurant after the first reading of the show. From left, producer Matthew Masten, playwright John Logan, The Avett Brothers bass player Bob Crawford, band manager Dolph Ramseur, director Michael Mayer, Seth Avett, Scott Avett and producer Sean Hudock.
The “Swept Away” creative team at a 2018 brainstorming session in a Brooklyn. N.Y., restaurant after the first reading of the show. From left, producer Matthew Masten, playwright John Logan, The Avett Brothers bass player Bob Crawford, band manager Dolph Ramseur, director Michael Mayer, Seth Avett, Scott Avett and producer Sean Hudock. Courtesy "Swept Away" production

Masten and Hudock, a longtime friend and his producing partner, shepherded the production through the years. “This was their brainchild and their baby from the beginning,” Mayer said.

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Then he impishly said he felt like was forgetting someone. Right on cue, from below center stage, rose a platform with Seth Avett, Scott Avett and Bob Crawford — The Avett Brothers themselves, making a surprise appearance for an encore of the title song with the cast.

The musical “Swept Away” used songs from across The Avett Brothers’ catalog. Band members Seth Avett, Scott Avett and Bob Crawford attended and performed at the opening night of the show.
The musical “Swept Away” used songs from across The Avett Brothers’ catalog. Band members Seth Avett, Scott Avett and Bob Crawford attended and performed at the opening night of the show. Alyssa Greenberg Swept Away

So what did critics think of ‘Swept Away’?

The musical got a big boost of support from The New York Times. While not the singular make-or-break force it was in years past, it remains a prominent voice on Broadway.

The paper designated the show a “critic’s pick,” praising its direction, stagecraft of the shipwreck and performances, especially Gallagher’s. “Given the chance to create a huge and complicated character, (he) grabs it hungrily ... It’s the kind of performance that great musicals require and that can make merely good ones riveting.”

John Gallagher Jr. and the company of “Swept Away.” Gallagher’s performance as the worldly, haunted “Mate” was praised by a number of theater critics.
John Gallagher Jr. and the company of “Swept Away.” Gallagher’s performance as the worldly, haunted “Mate” was praised by a number of theater critics. Emilio Madrid Swept Away

The paper also took note of its “visual panache” and “masculine eye candy” with the many sailors at the front end of the roughly 90-minute, one-act show, while describing “Swept Away” as “among the darkest, most unsparing musicals ever to anchor itself on Broadway.”

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Entertainment Weekly called “Swept Away” riveting, and gave it a “Grade A,” while Deadline pegged it as “taut and captivating.”

“Swept Away” is “refreshingly modest in scale but suffused with an ambitious desire to expand the possibilities of the form,” the Wall Street Journal’s review stated. “Whether audiences will be ready to embrace its bleak, ultimately tragic spirit... will be an interesting test of what an increasingly brand-driven Broadway can accommodate.”

Adrian Blake Enscoe in a scene from “Swept Away,” which opened on Broadway Nov. 19.
Adrian Blake Enscoe in a scene from “Swept Away,” which opened on Broadway Nov. 19. Emilio Madrid Swept Away

Not all critics were pleased. Variety praised the acting, music and set design, but felt the story was lacking. And the Washington Post questioned the pairing of the Avetts’ music to a grisly survival tale.

Well before Broadway became a realistic destination, Masten, Hudock and Scott Avett spoke to The Charlotte Observer early last year about how “Swept Away” came together. The producers mentioned how much faith they had in the material, and their determination to pair the Avett’s brand of music with a story that could engage and challenge audiences.

Avett remained proud of the band’s first musical, saying, “All you can do is make your best stuff and live your life.” On Tuesday night, on center stage in a Broadway theater, he was doing just that.

The Avett Brothers joined the leads of “Swept Away” for bows after joining them in a surprise reprise of the title song for the musical at its Broadway opening on Nov. 19.
The Avett Brothers joined the leads of “Swept Away” for bows after joining them in a surprise reprise of the title song for the musical at its Broadway opening on Nov. 19. Alyssa Greenberg Swept Away

‘Swept Away’

Where: Longacre Theatre, 220 W. 48th St., New York City

Tickets: Prices start at $54

More info: sweptawaymusical.com

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This story was originally published November 21, 2024 at 12:06 PM with the headline "The Avett Brothers musical sees stars, surprises, strong reviews on Broadway opening night."

Adam Bell
The Charlotte Observer
Award-winning journalist Adam Bell has worked for The Charlotte Observer since 1999 in a variety of reporting and editing roles. He currently is the business editor and the arts editor. The Philly native and U.Va. grad also is a big fan of cheesesteaks and showtunes.  Support my work with a digital subscription
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